2016: A Year of Nights Off with Beer and Live Music

I’ve spent a fair few nights watching live music in the last 12 months. Many have been outstanding. I’ve seen acts I had spent half my life waiting to see, I’ve seen some of my favourite acts in unexpectedly small venues, I’ve seen over a hundred acts for the first time, and found new favourites. I haven’t attended quite a gig a week, but it’s not been far off. It’s been fun, and it’s involved the consumption of a lot of beer, and a of time in particular in The Brudenell Social Club and The Fulford Arms. However bad things have been in 2016 socially and politically, there has, at least, always been great live music in abundance.

There is a heap of people – PR, bands, venue personages – I’d like to thank, and I’ve chatted to some ace folks while out and about. Mosly I’d like to thank all the acts I’ve seen for making it a fun year. Those acts are listed, alphabetically, below. I’ve had a blast, and suffice it to say I’m looking forward to more of the same in 2017.

 

…And the Hangnails x 3

99 Watts

999

Asylums

Avalanche Party

Bearfoot Beware

Baroness

Beige Palace

Big Love

The Black Lagoons

Brix & the Extricated

Broken Skull

Buen Chico x 2

Bull x 3

By Any Means

Cannibal Animal

Charlie Padfield

Chris Catalyst

Circuit Breaker

Climbing Alice

Colour of Spring

Consumer Electronics

The Contortionist

Corinth

Cowtown

Deathmace

Death Valley High

DVNE

Dragged Into Sunlight

The Duke Spirit

Eagulls

Elsa Hewitt

Eugene Gorgeous x 2

Face

The Fall

False Flags

Famine

Fat Spatula

Fawn Spots x 2

FEWS

Fighting Caravans x3

Fizzy Blood x2

Flora Greysteel x 2

The Franceens

Future of the Left x 2

Game Program

Gang of Four

Ghold

Gnaw Their Tongues

Gloomweaver

Groak

Hands Off Gretel

Heads.

Helen Money

Hinges

Holy Esque

Hoogerland

The Homesteads

Hora Douse

Horsebastard

The Howl & The Hum

Human Certainty

Irk x 2

Jaded Eyes

Jakoby

Joanne

Kagoule

Kid Canaveral

Killing Joke

Kleine Schweine

Knifedoutofexistence

Legion of Swine

Living Body

Low Key Catastrophe

The Lucid Dream

Mannequin Death Squad

Man of Moon x 2

Max Raptor

Maybeshewill

Mayshe-Mayshe x 2

Meabh McDonnell

The Membranes x 2

Milk Crimes

Mishkin Fitzgerald

Mouses

Mums

NARCS

Near Meth Experience

Nick Hall

Moloch

Mountains Crave

Naked Six

Neuschlaufen

Nordic Giants

No Spill Blood

Ona Snap

One Way Street

Oozing Wound

Orlando Ferguson

Palehorse

Party Hardly x 2

Percy x 2

Pijn

Post War Glamour Girls

Protomartyr

Push

Raging Speedhorn

RM Hubbert

RSJ

Sand Creature

Sarah Carey

Seep Away

Shellac

Shield Patterns x 2

Shrykull

Silver Apples

Simon Bolley

Soma Crew x 5

Stereoscope x 3

Stoneghost

Suburban Toys

Super Luxury

Sweet Deals on Surgery

TesseracT

Thank

Tooth x 2

They Might Be Giants

Three Trapped Tigers

Treeboy & Arc

Unwave

Vesper Walk

Washing Machine Repair Man

Wharf Street Galaxy Band

Wolf Solent

Worriedaboutsatan

Yard Wars

You Slut!

ZoZo

Everything that was wrong about 2016 on a plate… or not

There’s a broad consensus, that 2016 has not been a great year. Perhaps it’s not been so bad for those who consider themselves ‘winners’ having voted for the UK to leave the EU or for Donald Trump to be Barack Obama’s successor, but the seemingly endless roll-call of celebrity deaths – many far short of average life expectancy – has put a bit of a dampener on things.

While social media has been awash with outpourings of public grief, many have been calling for some perspective, and for more consideration to be given to the refuges of Syria. It’ hard to argue that such a bewilderingly vast humanitarian crisis warrants more compassion than a few dead pop stars and whatnot, but I also understand the way losing a childhood hero or figure one deeply admires and whose work has had a significant cultural impact and has touched the lives of many has a sad resonance. It’s easier to feel something for someone with whom you’ve connected in some way through their music or moves than for large numbers of people of whom you know nothing. I’m not defending it. But by the same token, mourning the loss of an icon does not necessarily mean one feels nothing for the plight of those whose lives have been devastated by war. It’s not a binary question.

But while everyone has their own perspective on what’s made 2016 stand out as one of the (supposedly) worst years in living memory, what the equations of dead celebrities vs the suffering of millions of real people, leave vs remain, Trump vs Clinton (all of which tipped to the wrong side) reveal is a social division which is binary in the absolute.

Things have been heading this way for a fair while now: a vast mainstream culture is countered by an equally vast buy infinitely fragmented array of non-mainstream cultures. Big business is now the dominant force in politics: the role of ‘the people’ and the value placed on them by government has diminished to the point of being negligible. The idea that Brexit was in some way a ‘people-powered’ two-fingered salute to the establishment elite was a myth perpetuated by a bunch of establishment elite looking to con the malcontent in order to achieve their own ends. And while the numbers dependent on food banks continues to soar, so ‘the other half’ are comfortable with iPads for all the family and trips to Disneyland at half term.

Amidst all the shit, daily life goes on, and it’s also shit on a microcosmic scale. My experience today seemed to somehow encapsulate all that was wrong about 2016. Having been to Durham to visit the in-laws, we decided to treat ourselves with a detour toward Whitby to catch the sunset by the coast. The smoke rising from a fire on the moors partially obscured the setting sun, and so we stopped at a pub for food. It was 3:45pm. The doors were open, the lights on but in fact they were closed: the barman, sitting by the bar, was simply waiting for some of the residents to arrive. That’s rural pubs on a bank holiday in 2016, though. They simply can’t sustain opening all hours in the face of rising costs and big-business competition in more ‘key’ locations.

And so we found ourselves at Cross Butts Stables Restaurant. It looked homely enough, boasting locally-sourced produce and ‘proper’ food, cooked to order. It is, as I would later learn from their website, the place ‘Where town really does meet country’. Agh, shit.

We took our seats – well, a seat and a bench with an array of well-stuffed cushions, with squirrels, pheasants, a larger-than-life fox and various other wildlife carved into the towering uprights at the back – at the table hewn from an entire oak tree, not far from the roaring wood-burner and watched twilight’s last gleamings through the windows of the barn-sized conservatory building. Being vegetarian, I wasn’t too concerned by the lack of steak pies, but it might have helped if they’d mentioned that they’d run out before Mrs N ordered one rather than five minutes later.

The Great Yorkshire Brewing Company Lager I ordered had to be substituted too, as it ‘wasn’t pouring properly’. I went for a GYBC Cider instead: on arrival, it was the most lagery cider I’ve ever tasted, to the extent I was suspicious the contents of my glass corresponded with the Coors Light glass it arrived in. To be fair, my brie wellington was great, but the fact the meals were served on chopping boards was not. But 2016 in a single sentence: a portion of chips served in a plant-pot on top of a chopping board.

The game is over. The wheel has been reinvented. And a burger andchips on a rough-hewn chopping board with 3” terracotta pot on top costs £14.

Why does this infuriate me so? Because it’s pointless. It’s beyond frivolous. It’s hyping and pimping stuff and charging over the odds in the name of – what, exactly? It says ‘we’re doing this because we’re so cool’. It’s like Pulp’s ‘Common People’ has been put in the blender and rendered a compote by hipsters who think that charging double for the experience of being poor is the apogee of entrepreneurialism. It’s the celebration of the idea of quality produce, the dignity of labour, saving the planet by cutting air-miles, recreating the spirit of a golden age of simpler times in the cuntiest way imaginable.

2017 will see Trump step into his new role and, in all likelihood, the Tories will invoke article 50 of the Lisbon Treaty and lead the UK out of the EU. 2016 was not Armageddon, but merely the beginning of the end. Might as well enjoy the artisanal, thrice-cooked chips now before things get really bad….

 

cross-butts-hotel-and

Image from TripAdvisor

Taking the Rage off the Page: December 2016 Spoken Word Dates

As is often the case, just when the diary is beginning to look a bit sparse, things happen. There are already things in the pipeline for 2017 – exciting, collaborative things amongst others – and 2016, having been a dismal year on so many levels, will find me back out and yelling at people a couple more times after what’s been my most active year on the spoken word circuit to date.

Two very different events will find me deliverying different sets at opposite ends of York on Saturday December 10th and Sunday December 11th.

The 10th is a fundraiser for Syria, hosted by one of my favourite poetry-writing activists, Laura Munteanu. It’s at the Fulford Arms from 6pm – 8pm. Entry is by donation. There will be a stall, and I will have books on it. ALL proceeds from sales of my books will go to the evening’s nonimated charity, Human Care Syria. The Facebook event page is here: https://www.facebook.com/events/1797569633848781/

The 11th sees the official launch of the Stairwell Books anthology More Exhibitionism. I’m immensely proud, and flattered, to have had a short story selected for inclusion in this prestigious collection. Really, it’s a big deal. I may or may not read ‘Take a Picture’, but I will be performing in the intimate and sometimes intense setting of the conservatoy of The Exhibition pub on Bootham. It’s a 6:30pm start and will be done by 9pm. The Facebook event page is here: https://www.facebook.com/events/199613443778525/

Both events will be ace.

And in other news, the print and ebook edition of The Rage Monologues is available now via all international Amazon outlets and other on-line retailers around the globe.  https://www.amazon.co.uk/RAGE-Monologues-Christopher-Nosnibor/dp/1326822446/ref=sr_1_1?s=books&ie=UTF8&qid=1480802810&sr=1-1 

Buy now and get it in time for Christmas. Give it to someone you love. Or maybe someone you hate.

Rage Book Cover copy