The 29 Days of February Start Here

February 2016 has a bonus day. The month has already arrived in the southern hemisphere, but I’m marking the arrival of the extended leap-year February in GMT and celebrating with the publication of a pamphlet and e-book containing a brace of short stories which will only be available for the 29 days of February.

At Midnight on 29th February, Something Must Break / Before the Flood will be deleted and will not be republished.

 

Cover Version 2 copy 2 TEXT

 

The blurb:

‘Something Must Break’: A dissonant tale of mental fragmentation and duality.

‘Dream of the Flood’: A meditation on climate change and possibilities of the near future, of human interaction and solipsism.

Together, these two pieces represent Christopher Nosnibor’s more literary side as he continues to explore narrative forms and voices.

The links:

Purchase the print edition here. (Enter code LULURC at checkout to receive 25% discount and free priority shipping on qualifying orders)

Purchase the e-book here.

Rage on the Road

Having spent the last few months writing a succession of short splenetic pieces under the collective banner of The Rage Monologues, I’d been focusing primarily on producing a cache of material I could raw on for live sets of varying duration.

The premise was simple: spoken word shows are notoriously difficult, especially if your thing is prose narrative. Audiences seem to respond better to poetry, and to shorter pieces. Telling a story or reading an excerpt from a novel simply doesn’t hold the attention in the same way, and when slots are often between five and 10 minutes in length, there isn’t much storytelling you can do if you’re not a writer of flash fiction.

So after penning a couple of short rants that seemed well-suited to the spoken word format, I aired them, admittedly with varying success. But the more intense the performance, the more people took notice. By which I mean by ramping things up, it was hard for them to ignore me as I stood, shouting and raving and cursing. Adopting a more manic persona seemed the way to go, and so I figured perhaps I should make that my set. Hence more wants penned, with a view to having a body of material I could draw on for sets of all lengths that I could mix up according to location and crowd.

I discovered the other day I’ve produced more material than I had actually appreciated. a whole pamphlet’s worth, in fact. Consequently, with a number of live dates pencilled in for the coming months, I’ve decided a pamphlet to accompany the performances, for those who don’t feel the urge to rush from the room after the first thirty seconds. It’s going to be self financed and self-published, and will be an extremely limited print run.

The material is still being pieced together and proofed, but when it’s ready, it has a cover waiting for it. Simple, but effective….

 

Rage Cover 2

 

And if you’re loving my work, there’s more of the same (only different) at Christophernosnibor.co.uk

A Total Groove: Record Store Day 2013

Record Store Day has become an insanely big deal, and while it’s something of a double-edged sword for both stores and collectors alike – a debate I don’t feel the need to cover here – the fact is that I like RSD, and I’m certainly not alone.

While I have, in recent years, spend a lot less in record stores than I used to – partly because the opportunity isn’t there, partly because I simply don’t have the disposable income I once did and partly because I get sent a lot of music to review that I would have historically paid for – I do still put money into independent record stores whenever I can. I do so not out of a sense of dutiful charitability born out of sympathy (although there may be an element of that), but because they’re the places that tend to stock the stuff that I want.

Of course, larger independent stores still usually carry more stock than smaller ones, and have more buying power when it comes to things like Record Store Day. For this reason, I could have easily been tempted to make the trip to Leeds, raid Jumbo and Crash and return home with an armful of vinyl from my ‘wants’ list plus another armful of stuff to flog on at three times the price, thus covering my own expenditure, plus train fare and even potentially leaving me with a near profit.

Instead, I stayed local and hit The Inkwell. Why? In recognition of the fact that it’s a great little boutique shop. In recognition of the fact it’s my local record store, the one I drop into and invariably leave with something cool whenever I have any spare funds. In recognition of the fact that it has a community vibe. And in recognition of the fact that Paul, the owner, asked his customers for suggestions, recommendations and requests for items to order from the RSD release list. That’s a cool thing to do. Not having the budget to get a rack full of everything, it made sense. Moreover, look after the regular customers, and they’ll look after you.

I arrived for opening, and left happy with a clutch of singles, including a copy of the Twilight Sad 7” I’d recommended (one of only 500 numbered copies) and The Fall’s single.

In the afternoon, I went back to check out the two live acts who were playing: the ubiquitous and prodigious Mark Wynn, and purveyors of tinnitus-inducing garagey grunge, …And The Hangnails. Again, although scheduled as part of the RSD goings-on, The Inkwell hosts shows from time to time, either for the launch of local bands’ releases or just because, which is another reason stores like this (not that there are many stores quite like this) deserve support.

Mark and I exchanged goods: I traded him a hot-off-the-press print copy of This Book is Fucking Stupid for a copy of his new vinyl pressing, Social Situations, a split release with The Sorry Kisses. He proceeded to deliver one of his marvellously idiosyncratic performances, interspersing songs of social observation and gloriously off-kilter anecdotes with banterous ramblings that are awkwardly hilarious and hilariously awkward.

…And the Hangnails weren’t as loud as I might have expected and were nowhere near as loud as Swans the other week, but for a room with a standing capacity of 20 or so, the powerhouse 2-piece were pretty fucking loud. The shop got extremely warm and I began to worry the vinyl might melt (although by this time, only four or five RSD exclusive releases remained). Some kids looked uncomfortable and left, probably because they couldn’t hack anything as gritty and authentically rock ‘n’ roll as Hangnails (they’re certainly not White Stripes or The Black Keys), but the rest who stuck around really dug it. …And rightly so.

This, ladies and gentlemen, is rock ‘n’ roll. And this is what Record Store Day is really about.

 

DSCF3612

…And the Hangnails crank it up to ten and a half in a confined space

 

Check out The Inkwell here.

Check out …And The Hangnails here.

Check out mark Wynn here.

And if you’re loving my work, there’s more of the same (only different) at Christophernosnibr.co.uk