Redressing the Balance: This Book Isn’t Nearly as Stupid as the Title Suggests… Or Is It?

For all of the claims made by myself and my publisher for the audacious anti-literary bent that drives my latest novel, This Book is Fucking Stupid, the fact that the core thread – the story itself – is essentially a straightforward piece of contemporary literary fiction is something that’s been very much underplayed.

As the paperback edition is out today, I thought it would be an idea to post an excerpt from one of the more conventional narrative passages, if only to prove to the world that as a writer I am capable of ‘normal’ things like plot and character development (after a fashion) and not only about text that function on a theoretical level…. Ok, well I half mean it…

 

from This Book is Fucking Stupid

 

It was just another day at the office, the same as any other. Ben sat at his desk. He had spent the last three hours trying desperately to compile his latest report based on a series of site visits to out-of-town shopping developments ahead of Friday’s deadline, but it was proving nigh on impossible. For a start, the buildings were in a poor state of repair: his surveys had uncovered a number of significant structural flaws which were bad news all round. The trouble was, he found these modern prefabricated monstrosities composed of concrete and corrugated iron the most uninspiring of all buildings to assess, and while he had most of the information he required to hand, some of his notes were a little patchy regarding some of the sites, as he had been tired, bored and hungover while conducting the surveys. That said, he didn’t really find buildings in themselves all that inspiring. Surveying hadn’t been a calling for him, but then, for whom is surveying a calling, a passion? Surveying was a job, which required an even and pragmatic approach to factual data and a grasp of figures and certain scientific concepts regarding the deterioration of concrete, the weakening of iron girders, the flammability of certain materials and so on.
    The appreciation of architecture was not a prerequisite for becoming a government inspector of commercial property. Yes, a civil servant. But the modern out-of-town retail park developments were still the worst: once you had seen one, you had seen them all. But feeling tired and grotty made any report on such buildings even more wearisome, and with a tight deadline looming, even more troublesome to a man who was not a big fan of typing long reports, preferring, if possible, to keep communications down to brief notes and bullet-points. Equally troublesome, his phones – landline and mobile – kept ringing, interfering with his train of thought. No sooner had he regained his flow and begun formulating a coherent sentence detailing the defects in the roofing structures or damp coursing than another call would demand his attention and haul him away from the job at hand for just long enough for him to forget exactly what it was he had been about to write next.
    Ben sat and rubbed his eyes with his thumb and forefinger. His skin felt rough and dry, his eyes sensitive and watery. He had been staring at the screen for what felt like hours. How long it had really been, he was uncertain. The text was beginning to drift before his eyes as he read it again and again. The text was beginning to drift before his eyes as he read it again and again. He was exhausted, and this was reflected in his sallow appearance. He had spent the last week and a half driving long-distance between the sites he was surveying for this report – Wednesday last, Southampton, Thursday last Birmingham, Friday last Nottingham, followed by Bath on Monday, Stoke on Tuesday, Newcastle on Wednesday and Norwich this morning – before returning to the office with a sheaf of scribbled notes, digital camera shots, notes recorded on a Dictaphone while on the tops of various buildings, muffled and inaudible due to high winds blasting across the mic as he had mumbled tiredly and unenthusiastically about various joists and joints. He rubbed his eyes again and returned his bleary eyes to the screen. He rubbed his eyes again and returned his bleary pupils to the screen. He needed a break. Needed to clear his head, to regain his focus. Yes, he had a deadline looming, but he’d never make it like this, he simply couldn’t focus his mind.
    The Foo Fighters’ track ‘The Best of You’ rattled from his pocket for the umpteenth time that day. He loved that song – it rocked – but he was beginning to tire of its polyphonic yet stunted ring-tone version intruding into his life every five minutes. He was also weary of his works mobile. Why they wouldn’t upgrade to something more contemporary and functional like an iPhone or a Blackberry, he had no idea.
    It wasn’t that Ben was a he fan of the iPhone, although he did rather like its multimedia functionality, and its now classic design. He liked its dimensions, a cozy yet suitably chunky 115.5mm x 62.1mm 12.3 and comforting 133g weight. He also had an appreciation for its TFT capacitive touchscreen, even if its sleek surface, with its with its scratch-resistant oleophobic coating, became a slick of greasy thumb-prints within seconds, even while in the pocket, and these obscured the screen, despite its presenting a respectable 320×480 pixel 3.5” view at a density of 165 pixels per inch. Similarly, the Blackberry was a classic example of contemporary design. The Curve 8900 had real appeal. Despite the rather fiddly QWERTY keypad, it was practically a mobile office that would fit in the pocket, and with its 256MB ROM memory, 250ppi display, albeit at a smaller 2.5” – a whole inch smaller than that of the iPhone – its 65K colours made it suitable for checking out pics emailed from different sites while on the move, and then there was the card slot with a reader that could handle an SD card of up to 32GB. It also had the better camera. Still, neither the iPhone nor the Blackberry had a battery life worth writing home about, while the clunky piece of Nokia crap work had provided him with only needed charging once a week.
    He checked the name on the incoming call. It was Ruth, his ‘better half.’ They had been together almost eight years now – long enough for him to have known almost instinctively that it would have been her ringing.
    “Hi, Ru,” he said, half sighing, half croaking, his voice cracked with fatigue.
    “Hey,” she chirruped back.
    A slight pause – as was customary. He never liked to jump in and ask why she was phoning this time – it sounded tetchy, and she was the sensitive type – but she never came straight out with anything either, hence the waggledance of telephonic etiquette each time they spoke, even after all this time. Particularly after all this time: it had become habit, and he knew it. He knew not, however, of a way to break it, or even if there was any point in doing so – or even if he wanted to do so. It was harmless, but did take seconds out of his busy day. Seconds that could have been spent on other matters. He fought this involuntary irritation that he felt – that he had been feeling for the past few weeks, or possibly longer, he’s not been paying that much attention as he’d had a lot going on – and reminded himself that Ruth didn’t actually do anything to annoy him and that his tiredness was simply making him irrationally irritable. It wasn’t his fault he was tired and stressed. It wasn’t her fault he was tired and stressed. He just was.
    “Hey,” he echoed back, as he commonly did. It bought time, breathing space, signalled to her that he was listening, like a call-and-response of ‘Copy,’ ‘Roger.’
    “I was just wondering what time you’d be home for tea tonight,” she said in her usual even, gentle tone.
    He sighed and rubbed his tired, itchy eyes again. Ruth liked her routine. Daily, she called around 3.30 or 4pm to enquire when he’d be home, although he was rarely able to give a specific answer. There were invariably deadlines to be met, which frequently entailed working later than anticipated, however he budgeted his time, however hard he worked, and however closely he worked to the premise that however long one anticipates something taking, double it and add ten per cent to get a more accurate estimate. Then there was the matter of the drive home. On a good day – or a weekend – it would be a 40-minute drive. But on a weekday, during the rush two hours, it could be anything up to an hour and a half, and that was provided there were no accidents, freak storms or other unusual circumstances which may extend the journey time still further. Ben enjoyed driving, but did not enjoy being stuck in slow-moving traffic for hours on end on the same stretches of rode night after night. Open country roads with the windows down, the wind in his hair, shades on and the stereo up loud and his foot the the floor, that was his idea of driving. It was to liberating, that sense of freedom, the idea he could go anywhere he wanted, and fast. It was the precise opposite of being hemmed in between the mushroom walls of the office in which he worked, with its Jacobs Twist Axminster carpet in a fetching shade of blue-grey by the name of Fen and regimented rows of desks, each with identical Dell base units and monitors, accompanied by ergonomic keyboards and mice and standard-issue high-backed office chairs without arms.
    “I dunno,” he replied after a pause. “I’ve got a lot on at the moment.” “Ok, do you think you’ll be home before eight-ahuh?” she asked, her voice rising at the end and a small not-quite-laugh following the last syllable. He pictured her, smiling as she did, her nose wrinkled a little and her eyes half-closed, an endearing expression which he had been fond of from the outset when they had met some seven years ago. How time flew! He had been in his early twenties then, and having recently relocated following the securing of a decent job in Sheffield, Ben had been on the brink of embarkation on his career proper.
    “I don’t know,” he reiterated. “I hope so, but I wouldn’t like to say for definite.”
    “Ok, well I thought we might have chops tonight and they grill in no time, so I shall wait until you get in before starting the tea.”
    “Fine.”
    “Call me when you’re leaving work?”
    “Sure.”
    “Ok, I’ll speak to you later, bye.”
    “Yeah, bye.”
He couldn’t help it, he knew he sounded ‘off.’ The simple fact was that he had been feeling decidedly fractious lately, and it was difficult to pinpoint the exact reasons why. And because he didn’t know, he felt he couldn’t really talk about it with Ruth – what was there to say? It was his problem, and he didn’t want to push it onto her. She had her own things going on, namely the fact that she would soon be unemployed – again. After a succession of unappealing and unsatisfactory temporary jobs, mostly in big corporate offices, the type of place she hated – so many people, so many awful people, the sort she’d not have given a moment of her time to through choice – she had landed herself a fantastic job on a medieval library archiving project. Only now the project was almost done and the funding had run dry and so her contract was to be terminated in a couple of weeks. Ruth’s unemployment, or otherwise low wages did place a strain on things for them financially. Again, Ben never liked to make an issue of it, because to do so would be unfair. He accepted, and in some ways, thrived on fulfilling his role as the dominant male, the breadwinner. He’d always been ambitious, and while he’d never been certain as to what career he wished to pursue, he’d always been ambitious to earn. A good income, a nice house, a fast car…. It’s what every man wants, and it had always been his dream to live the life, to work hard and to reap the rewards, and to spend those rewards in such a way that everyone who saw him knew it, that he was a successful person.
    But right now he didn’t feel successful, and he was struggling to put his finger on exactly what the root of his niggling discontent was. But he had realised that he was not content, and despite his reasonable income – £42K pa plus car plus mobile phone, etc., was a fair salary, he knew that, although after tax there was little benefit, he felt, to earning £42K over earning £25K. He knew he wasn’t like those he left behind in school, those whose profiles he had read on Friends Reunited….

One Star

 

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2011: A Year in Books

When I’m not busy writing, there’s nothing I like more than immersing myself in a good book. In fact, just as I’d describe myself as a compulsive writer, so I’d also describe myself as a compulsive reader. At times, it’s something that can prove to be something of a curse, as I’ll find myself distracted by any text within – or even just beyond – my range of focus. For his reason, rolling news channels can really test me, especially if the screen’s behind the head of someone who’s talking to me.

As a rule, I’m rather a ‘glass half empty’ sort of person, but this year, having found myself required to spend more time travelling to and from places of work (albeit for the same desultory pay-packet), I elected to make the best of a bad situation and use the time in transit to squeeze in a spot of light – and not so light – reading. Here’s a list of the texts I managed to plough through. A handful were re-reads, others were texts I’d stalled on previously and decided to attempt again (successfully this time) and others had been lurking on my shelf for some time. While I enjoyed some more than others, they all had their merits and enriched my life in some way during the last 12 months, and as such, I would happily recommend every last one of them.

Jarrett Kobek – HOE #999

Dennis Lehane – Shutter Island

JG Ballard – The Drowned World

Gary Cummiskey & Eva Kowalska (eds) – Who Was Sinclair Beiles?

James Wells – Hack

Alain Robbe-Grillet – The Erasers

Bill Drummond – $20,000

Chuck Palahniuk – Diary

Frank Kermode – Modern Essays

Mary Beach – Electric Banana

Carl Weissner – The Braille Film

Katrina Palmer – The Dark Object

JG Ballard – High Rise

Stewart Home – Memphis Underground

John Wyndham – The Day of the Triffids

Edward S. Robinson – Shift Linguals: Cut-Up Narratives from William S. Burroughs to the Present

Raymond Chandler – The High Window

Alain Robbe-Grillet – Jealousy

Ed McBain – Sadie When She Died

RG Johnson – American Scrap-Dragon

Mike Meraz – Black-Listed Thoughts

Mark Merlis – American Studies

JG Ballard – The Complete Short Stories Vol. 2

Plato – The Symposium

Roland Barthes – Mythologies

JG Ballard – The Day of Creation

Michel Foucault – Language, Counter-Memory, Practice

Kathy Acker – Bodies of Work

Mark Fisher – Capitalist Realism: Is There No Alternative?

Michel Foucault – The Will To Knowledge 1: The History of Sexuality

JG Ballard – The Atrocity Exhibition

Robert Lort (ed) – Azimute: Critical Essays on Deleuze and Guattari

Chuck Palahniuk – Lullabye

Shakespeare – The Tempest

Stewart Home – Blood Rites of the Bourgeoisie

Nick Kent – The Dark Stuff

Valerie Solanas – S.C.U.M. Manifesto

Ivor Southwood – Non-Stop Inertia

 

Inertia

 

 

And if you’re loving my work, there’s more of the same (only different) at Christophernosnibor.co.uk

Things That the Everyday Folk Leave Behind

So I’ve had a pretty busy time of late, what with a couple of interviews I’ve conducted and am conducting for various publications, not to mention interviews and promo bits and pieces for From Destinations Set which is out on the 28th, and a spate of gigs and a tidal wave of new releases to review (90 reviews this year to date), and as a consequence, the blog’s something I’ve let slide a bit (again).

With so much to do, places to go and people to see, I find I spend all of my waking hours rushing about, and my non-waking hours spent with my mind churning through all of the things I’ve done and have got to do and should have done but haven’t yet. To an extent, that’s pretty normal for me, but lately I’ve been so preoccupied and absorbed in all of this activity that I noticed that I’ve stopped noticing things. This concerns me. I’ve always maintained that being attuned to one’s surroundings is the key to being a writer of merit (and while my merits as a writer won’t ultimately be determined by me, it’s something I like to feel I at least aspire to). Besides, it’s not something that’s entirely optional: drawing on the details and minutia of the everyday is a compulsion, it’s something I can’t help, at least under normal circumstances. Observation, those details of life and snippets of overheard dialogue have long provided me with an abundance of material for my writing, be it fiction or blogs or whatever, Absorbing information from the world around me is integral not only to my work, but who I am. Small wonder I was beginning to feel that the workload was swallowing my life: I was beginning to lose myself.

As a consequence, I resolved to pull myself back to life, and I’ve begun to try to observe my surroundings again. I have no idea why I was remotely surprised by the sensory overload this retuning induced, given that I find the wealth of extraneous information dizzying the majority of the time, but having effectively shut down for a period of time, engaging once again with my environment proved to be an immediate culture shock.

So on leaving the house this morning, I was elated to note that day was breaking. It was the first time in months I had hit the pavement in daylight. The air was cold but still. Birds were singing – something quite uncommon given the density of the housing, the lack of gardens and trees and the large number of brutal cats in the neighbourhood. On arrival at the bus stop, I was amused – and also bemused – to see that on one of the seats moulded into the shelter was a handbag. Abandoned, forgotten. Beside the handbag, stretched and strewn across the next two seats, a pair of tights. I wondered if the tights and bag had the same (former) owner. Must’ve been one hell of a night.

It’s not just physical objects that are discarded at random. Conversations, sounds, ideas, all contribute to the flotsam and jetsam. Before long, I’m on the bus, surrounded by blank individuals. The journey is soundtracked by the album The Disaster of Imagination by Sense of Scenery. It doesn’t entirely drown the chatter of the other passengers. I’m reading $20,000 by Bill Drummond. The sensory overload I’m accustomed to is back. Snippets of dialogue filter into my consciousness, on the bus, at the office. Most of it mere babble, some of it so inane it’s beyond belief. ‘Is she still Spanish?’

I’m being flooded with material, more material in a day than I can use in a lifetime. I pick them all up, all of the bits and pieces, and stow them, ready for when I need them. I never know when I might need that discarded handbag, the left-behind tights, the fragments of dialogue, the half light and the birdsong. I’m living the experience that I was supposed to be creating to an amplified degree in THE PLAGIARIST. It’s not funny any more. This is the world.

I’m back and I’m firing on all cylinders….

And if you’re loving my work, there’s more of the same (only different) at Christophernosnibor.co.uk